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Sezai Karakoc (b-1933)

He completed his education at the Faculty of Political Science. He worked at the Department of Revenue Services as a Controller (1959-1965), after which he went to work at a Newspaper until 1971, then returned to the Department of Revenue from 1971 to 1974. He published his work at his own publishing house, Diriliş, and founded the journal by the same name. Although his poems were published in the same journals together with the İkinci Yeni poets, his poetry reveals its own distinct characteristics. One can observe the influence of European poetry in his work, yet he utilized classical poetry interpreted in his own personal style. Politically speaking, he is one of the pioneers of Islamist discourse in Turkish literature. POETRY: Körfez (1959), Şahdamar (1962), Hızırla Kırk Saat (1967), Sesler (1968), Taha'nın Kitabı (1968), Gül Muştusu (1969), Şiirler I (1974, second edition of Hızırla Kırk Saat), Şiirler II (1974, second edition of Taha'nın Kitabı), Şiirler III (1974, Körfez, Şahdamar and Sesler), Şiirler IV (1974), Şiirler V (1977), Şiirler VI (1980). ESSAYS: Dirilişin Çevresinde (1967), İslam (1967), Kıyamet Asırı (1968), Mağara ve IşıkAllah'a İnanma ve İnsanlık (1970), Ölümden Sonra Kalkış (1970), Ruhun Dirilişi (1974), Çağ ve Islam I (1974), Diriliş Neslinin Amentüsü (1976), Yitik Cennet (1976), Çağ ve İslam II (1977), İnsanlığın Dirilişi (1977), Gündönümü (1977), Çağ ve İslam III (1980), Makamda (1980), Diriliş Muştusu (1980). OTHER WORKS: Üç Kaside (1967, translation), İslamın Şiir Anıtlarından (1976, revised version of Üç Kaside), İslam Toplumunun Sturkturu (1967, critical essay).

 

FROM THE LAND OF EXILE TO THE CAPITAL OF CAPITALS

First I was banished from your heart

And in a way all my exiles continue that banishment

Beyond all ceremonies, feasts, services, holy days

I came to you, came to you on my knees

I came to beg forgiveness, though I don't deserve forgiving

Don't prolong my worldly banishment

Wheedle the sun away from springtime

Drag it out of this most incurable of loves

That which is blown into my heart

Like a cloud of dust

Oh don't prolong my worldly banishment

I am so very tired you can tell it

From my feet and not from my shoes

The lamps are crooked

Mirrors scorpion angels

Time, a last vision of the stricken horse

A home is no inheritance but inheritance's phantasm

Oh what my heart gives birth to

What it raises up and suckles

Made of bird feathers

And bird's milk

At night and in daytimes

Erected like a monument to humanity

Beloved

Most beloved

Oh, beloved

Don't prolong my worldly banishment

 

It was you I talked about in all the poems

If I said "Suna" if I said "Leyla" it was you

Images of Salome and Sheba's Queen I used to hide that it was you

My concealments were all in vain, so plainly, obviously it is you

Birds take wing in imitation of your heart

Spring gathers its blossoms from your hands

From your eyes the sea becomes aware of endlessness

Oh tenderest and most profound of hearts

Beloved

Most beloved

Oh, beloved

Don't prolong my worldly banishment

 

Years passed, the plow left undying traces on the earth

I reached to the stars and asked of you in midnights

In penthouses, in basements

Matchless lamp, your shadow illuminates my night

In Kanlıca, in Emirgân

In the leaden dawn of Kandilli

I talked and talked with you in the spring and summer of a life

And now, in its suddenly appearing autumn

I came to you, came to you on my knees

I came to beg forgiveness though I don't deserve forgiving

Oh contemporary Jerusalem (Mary)

Oh Egypt bearing her secret in her breast (Zuleyha)

Oh heart of mercy that grants softness to silk

Beloved

Most beloved

Oh, beloved

Don't prolong my worldly banishment

 

I saw the mountains tumble down in a Venus glass

Was sold as a slave in the bazaar of bazaars

On Constantine's wall I saw the sun grow pale

Burned with visions of you in the neighborhood of dreams

It's your shadow ever reflected in the fountain of eternal life

Now when I am wrapped in thoughts of death

Terrified by unpaid accounts

I came to you, came to you on my knees

I came to beg forgiveness though I don't deserve forgiving

Beloved

Most beloved

Oh, beloved

Don't prolong my worldly banishment

 

What news is there from the birds of your homeland

There is a springtime that rises even from the grave

What can love's executioner do so long as there's a beloved

Beyond non-being and being there's a Being

The fault is not all mine burning breaking me there's a curse

There are lines to be sung inspired by this song

Don't you ever say fate for beyond fate there's a fate

Whatever they might do there's a providence coming from the empty sky

So what if the sun sinks, there's an architect restoring the night

If I am burnt there's a fortress built of my ashes

There is a victory growing defeat by defeat

In you there's the key to reaching the secret of all secrets

In your breast there is a vein that summons your exiles to return

I won't give up hope in you, there's a tree called mercy in your heart

Beloved

Most beloved

Oh, beloved

 

Translated by Walter G. Andrews

 

[From An Anthology of Turkish Literature, Edited by Kemal Silay]

 
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