TURKISH AUTHORS

ABDULHAK HAMID TARHAN


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Abdulhak Hamid Tarhan (1852-1937)

He received his education at the Ecole Nationale in Paris and at Robert College in Istanbul. He was also tutored in Arabic and Persian. He served at high administrative levels as a state employee and became a parliamentary member after the declaration of the Turkish Republic. He contributed to the modernization of literature and philosophical thought. Although his works reflected a contemporary character in language, style and theme, he was not able to formulate a completely cohesive style and in later years, his works were overlooked. POETRY: Sahra (1879), Divaneliklerim yahut Belde (1885), Kahpe (1885), MakbedBir Sefilenin Hasbihâli (1885), Ölü (1885), Bunlar O'dur (1886), Hacle (1886), Bâlâdan Bir SesValidem (1911), İham-ı Vatan (1916), Tayflar Geçidi (1919), Ruhlar (1922), Garam (1923). PLAYS: Macera-yı Aşk (1873), Sabr ü Sebat (1874), İçli Kız (1874), Duhter-i Hindu (1875), Nazife (1876), Nesteren (1877), Eşber (1880), Zeyneb (1908), İlhan (1913), Finten (1916), Tarhan (1916), İbn-i Musa yahut Zatü'l-Cemal (1917), Saradanapat (1917), Abdullahüssagir (1917), Yadigar-ı Harb (1917). OTHER WORKS: Mektuplar (1916, letters), Yabancı Dostlar (1924, memoirs), Arziler (1925, conversations). (1885), (1909), 

THE GREATEST POET

It happened in Vienna;

a stroke of bad luck brought him there.

All the clothes he wears have been turned,

and often,

he says, he sleeps and wakes in them.

Though in their day they were all tailored

                                by Poole's in London,

they are all faded.

He has an overcoat

that was once black and is now mouldy green,

and a monocle, now his lamp at night.

God, what a life!

Pockets full of holes,

but no matter—there is nothing to fall through them.

He has just one worry:

closing time is early in the taverns.

He goes around with a dirty rag

that is his handkerchief.

His galoshes are someone else's, and when he walks

they flop, and mostly slip off his feet.

His headgear is not fez, not a cap, not a turban, nor yet a kalpak.

Could it be a hat? God forbid! It's something specially his own,

of another shape,

something like a beggar's bowl.

Nobody knows his origin, and they ask:

"Who is this freak, this wretch?

Quiet! Let's not scare him..."

And then they laugh and snarl at him.

Sometimes they feel a charitable urge—

"Penny for the poor!"—

and there is just one who calls him "the greatest poet."

 

Translated by Bernard Lewis

THE HIGH SEAT OF CONTEMPLATION

By the sea there is a pleasant place, gazing out upon the world

An ocean wave turned to stone, upon it rests a man

Who sits there like a phantom, ever occupied with thought

He is dressed all in white but seems to be in mourning

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

Have you seen these lonely places, do not think them empty

They are peopled with my fantasies, filled with import

They are surrounded by impotence yet replete with eternity

This is my place, a high seat on the margin of the sea

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

Hear the city's hue and cry girdled by a silence

Hear the cloud pour laughter, the bolt of sudden violence

Watch the thoughts emerge from trees, listen to the brook

In these wild places, come and hear eternity

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

Think on Being that commands manifestation of its own essence

From whose eternal substance are created earth and sky

Think on the sea whose every drop is an endless billow

These are the divine mysteries spoken by one heart, one tongue

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

That is the nothingness of the past in Will's red abyss

This the future's darkness in the blue of eternity

There an endless Grandeur stands in light and shadow

All beings, all things, all together in love

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

Ever do they kiss, the planet Venus and the mote

Bird and fish travel a single path, bat and moonbeam too

Sit for a time on this ocean-encircled pulpit of stone

See God in the moment containing all from sky to land to sea

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

Each constellation moves, the very embodiment of a thousand ages

Though outwardly a shadow, don't suppose it a transitory thing

This form—high and low—inclines toward its point of origin

They go on joyous and laughing, all recipients of Divine Grace

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

A voice returns in the valley, over and again, down cascade the streams

The field is blue-green, sheep cotton-pink, mountains many-colored

The orchards all silver and gold gathered from the horizons and the sea

If my heart is alone amid this merriment I can but weep

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

In the mist a tiny girl descends solitary from the peaks

As the sleepless dawn-star hangs on the point of rising

The sea's turmoil echoes in the wind-messenger's dream

Camel bells revive my heart's pain with memories of home

Clouds and waves and stars intimately surround me

Ever joyous are the stream and bird and flower and tree

 

Translated by Walter G. Andrews

 

[From An Anthology of Turkish Literature, Edited by Kemal Silay]

 
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